David Crosby has been keeping busy during Covid, mainly prepping his next solo set, tentatively titled, For Free, after the Joni Mitchell classic covered on the set. “Croz” spoke with the Island Zone Update and shed light on his most recent sessions, which have been spearheaded by his son and keyboardist, James Raymond: “I’ve been friends with Steely Dan's Donald Fagen for a while and I finally convinced him to give me a set of words, so we took that set of words and James and I 'Steely-Dan'd' it into the middle distance, that’s one of the songs. We wrote another one with Michael McDonald called 'River Rise'. . . Michael McDonald sang on it with us and helped write it, actually. It’s always a cooperative effort with me and James. James is maturing as a writer to where he’s as good as I am if not better.”
Crosby, who's always been a road dog at heart, was asked point blank when he feels live music will be back to normal, and responded by saying, “The answer to that is gonna depend on vaccination. When you say, look, to buy a ticket, you’ve got to show us a vaccination sticker. If you can show us that you’ve been vaccinated, you can buy a ticket. Okay, when they do that, if they do that, then they will have audiences that are safe and then we will have audiences. . . not until.”
Crosby also explained the how's and why's behind him selling of his music catalogue to music mogul Irving Azoff's Iconic Music Group: “I had a financial wizard friend of mine explain it. If you’re going into the world with $100 million to invest in the stock market, you take $50 million of it and put it in T-bills, because you know exactly what they’re gonna pay, and they’re safe. Then you take the other $50 million and go adventuring to try and make money. Well, then you think about publishing, you have 20 years of records. You know exactly what it’s gonna pay. It has that same security. The only thing is it pays a lot better than T-bills. A lot better. They used to buy publishing by a multiple. For most of my life, 10 years of your publishing’s yearly earnings was what your publishing was worth. When it got to 19, faced with the situation I was faced with, it was definitely the right thing to do, to sell it.”